Imported Products

Introducing products we sell as an authorized distributor

Boby Wagon

Immensely popular all over the world since it was designed over50 years ago, and part of MoMA’s permanent collection, The Boby Wagon is design classic. With variable colors and sizes, this multi-use trolley can be used in workspaces, living room or kitchens, among other spaces. Won the 2022 Good Design Long Life Design Award.

Sella

Designed by brothers Achille and Pier Giacomo Castiglioni in 1957 as a “telephone stool,” the Sella symbolizes the Zanotta brand, the foundation of Italy’s design culture. The stool comprises an actual racing bicycle saddle attached to a stainless-steel pole supported by a weighted hemispherical base, incorporating concepts positioned halfway between “ready-made” and “Dadaism.”

Mezzadro

Designed by brothers Achille and Pier Giacomo Castiglioni in 1957, this stool incorporates the “ready-made” concept. The design combines existing elements—a style of tractor seat used at that time, a racing bicycle pin, a steel crossbow, and a sailboat crossbar. The name “Mezzadro” means “peasant” and was chosen in recognition of the stool design’s ironic incorporation of the symbolic elements of impoverished laborers.

Cumano

This folding table was designed by Achille Castiglioni in 1978. Reinterpreting the three-legged tables commonly used in Parisian bistros, Castiglioni strengthened the design’s functionality. Using ABS resin—then a new material—for the joints greatly enhances the table’s opening/closing capability. The hole in the tabletop can be used not only when folding up the table but also to hang it on a wall using the hook provided. The Cumano received the Compasso d’Oro industrial design award in 1981.

Servi series

The Servi (servant) range was developed over a twenty-year period, starting in 1961, as furniture pieces for the Splügen beer house/restaurant in Milan. It was conceived the series to be functional, minimal and durable; suitable for “serving” both domestic and public spaces; the system can be assembled, disassembled, modulated. It consists of single polyurethane base and a high or low metal pole on which to provide support for several accessories that hold, carry, contain or notify.

Basello

Designed by Achille Castiglioni in 1987, this two-tiered table means “step” (“basel” in Milanese). The two different height elements, U-shaped and L-shaped forming the legs, are connected by a cylindrical joint and can be opened to any angle. The surface of the tabletop is finished with a scratch-resistant embossed coating. It can be used as a stool or as a table top.

Joy

Designed by Achille Castiglioni in 1989, this is a rotating shelf unit. Several U-shaped and L-shaped elements of different heights forming the legs are connected by cylindrical steel joints, allowing the shelves to rotate freely. The surface of the shelves is finished with a scratch-resistant embossed coating. Available with a choice of 5 or 7 shelves.

Primate

Designed by Achille Castiglioni in 1970, this kneeling stool is known as a masterpiece. Inspired by the memory of his Japanese friends who used to sit in a beautiful posture (seiza) with their knees on the floor and heels supporting them, it was a chair with a new shape that did not exist in the conception of the time. By focusing on the natural gestures and behaviors of people, he attempted to explore the possibilities of a new work of art.

Allunaggio

This outdoor stool was designed by brothers Achille Castiglioni and Pier Giacomo Castiglioni in 1965. The stool, which means “moon landing” in Italian, was created as a tribute to the first lunar expedition in human history, and is known as a masterpiece in the history of design, as if it had “landed” from another planet.

Albero

Featuring both dynamic composition and flexible design, this flowerpot stand was designed by Achille Castiglioni in 1983. Flowerpots can be arranged rhythmically on the various plates supporting them, giving the appearance of a tree growing straight upwards and cradling the pots in its hands. Because each plate can be rotated 120 degrees horizontally, the potted plants can all receive ample sunlight even if they vary in size.

Leonardo

This worktable was designed by Achille Castiglioni in 1969. Featuring a simple structure comprising height-adjustable legs and a tabletop, this design is said to be the prototype for today’s trestle tables. Castiglioni’s idea for the legs came from the sawhorses that had been in general use since he was a child in addition to the structure of carpenters’ benches.

Quaderna collection

This furniture collection was designed by Superstudio between 1969 and 1972. The grid pattern of 3 cm squares, which looks as if it were made of small cubes stacked on top of each other, was born from the concept of pure “volume,” free from functional properties. Neutral yet powerful, this one-of-a-kind collection is a multifaceted product that represents an era of Italian design and has retained its appeal over time.

Museo

Designed by Enzo Mari in 1991, this coat hanger was born out of the joint objective of Enzo Mari and Zanotta to produce products that can be used for a long time, products that last over generations unaffected by changing fashion trends due to their emphasis on simple designs and special functions, and products that are not experimental but rather do not create unreasonable challenges within the production process. In contrast to the many dynamic designs utilizing color and shape freely that were being created at that time, this product’s static, sophisticated design provided new value.

Tonietta

The chair was designed by Enzo Mari in 1985. It was produced after intense research to take advantage of the expensive and special aluminum die-casting technique, which was rarely used in Italy at that time in the production of chair frames. This product, which embodies the image of a chair that is as simple and universal as possible, has been highly acclaimed both nationally and internationally, including the Compasso d’Oro award in 1987.

Sciangai

This folding clothes stand was designed by Gionatan De Pas, Donato D’Urbino, and Paolo Lomaggi in 1973. Joining eight wooden poles together at a position slightly above their centers broadens the surface area of the clothes stand in contact with the floor, creating a more stable structure. The product’s simple yet sophisticated structure has won high recognition, receiving the Compasso d’Oro industrial design award in 1979.

Giotto

This masterpiece stool was designed by Jonathan De Pas, Donato D’Urbino, and Paolo Lomazzi in 1975. Inspired by the stools often found in design offices, the three beech wood legs are joined by red-painted steel brackets, intentionally emphasizing the structure. The round seat is supported by a threaded rod and can be easily adjusted in height by rotating the seat.

Poker

This table is a modern interpretation of the traditional card table designed by Joe Colombo in 1968. The tabletop is made of plastic laminate, a new material at the time, and features a green removable baize trimmed in leather and swivel plates at each corner with ashtrays that can be stored under the tabletop. This is a product unique to Joe Colombo, which pursues the spirit of the times and new materials and technologies.

Celestina

This folding chair was designed by Marco Zanuso in 1978. It was created when Zanotta commissioned a redesign of a “familiar” outdoor folding chair. The chair was crafted with an attention to detail, with a plate steel frame that twists in places and elegant copper studs and contrasting stitching on the upholstered seat and back, enhancing not only its beauty but also its functionality and seating comfort.

Marcuso

This sturdy and elegant table was designed by Marco Zanuso in 1969. The technology for bonding steel and glass, which had just been developed in the automotive industry, was first introduced into the field of interior design. A structure was created in which the steel legs were attached directly to the glass top, a departure from the traditional structure consisting of legs and a curtain panel. This innovative product was only possible because of Zanuso’s wealth of technical insight and comprehensive vision of design.

April

This folding chair was designed by Gae Aulenti in 1964. Her architectural touches have been incorporated into the iconic Director’s Chair to create a simple yet technically sophisticated product. It is one of Zanotta’s masterpieces, enhanced in design and functionality by Zanotta’s vision and Aulenti’s sensibility.

Arabesco

This small table was designed by Carlo Molino in 1949. The arabesque shape of the undulating frame, reminiscent of ski runs and acrobatic flights over snow, reflects Molino’s varied experience with airplanes and winter sports, while also providing visual lightness and elegance, as well as physical weight savings. The beautiful balance of molded plywood and glass is a design that continues to be admired today, more than 70 years later.

Reale

This table was designed by Carlo Molino in 1948. The intricate reticulated frame is inspired by the details of an aircraft wing, and the center of the solid wood is hollowed out to create a light and slim form. The structure of the easel and the ingenuity of the joints that support the glass-topped tabletop show the skillful use of architectural techniques, and continue to be timeless masterpieces.

Plia Chair

Designed by Giancarlo Piretti, this stackable folding side chair is characterized by its structure, which enables the chair to fold up using only parts located on the left- and right-hand sides of the seat. It provided the model for present-day folding chairs. Since 1969, more than seven million Plia Chairs have been sold worldwide due to the functionality and translucent beauty of its design. Plia Chairs have been included in the MoMA collection and have received numerous awards.

Plia Chair Color

Folding and stackable side chair designed by Giancarlo Piretti, with a color-coating frame. It features a structure that became the model for today’s folding chairs, which can be folded with only the left and right parts of the seat. Functional, transparent and beautiful, more than seven million of these chairs have been sold worldwide since 1969, are in the MoMA collection and have won numerous awards.

Photo:Masaaki Inoue, Styling:Yumi Nakata

Plia Chair Rattan

Designed by Giancarlo Piretti, this stackable folding side chair with rattan upholstered back and seat is characterized by its structure, which enables the chair to fold up using only parts located on the left- and right-hand sides of the seat. It provided the model for present-day folding chairs. Since 1969, more than seven million Plia Chairs have been sold worldwide due to the functionality and translucent beauty of its design. Plia Chairs have been included in the MoMA collection and have received numerous awards.

Photo:Norio Kidera, Styling:Fumiko Sakuhara

Plona Arm Chair

Designed by Giancarlo Piretti in 1970, this foldable and stackable armchair was presented as one of the structural successors to the Plia chair designed in 1967. Thanks to a special joint made of aluminium alloy, it can be folded easily and combines beauty, functionality and comfort.

DSC106S

This is a stackable side chair designed by Giancarlo Piretti in 1965. At a time when chairs made of wood were the norm, a structure was created in which the moulded plywood seat and back are assembled between two aluminium frames, which are screwed together and fixed in place. The chair is an innovative masterpiece that perfectly combines comfort seating based on an ergonomic reseach and aesthetic element.

Alky Chair

Lounge chair designed by Giancarlo Piretti in 1969. The urethane foam is directly affixed to an elastic rubber band for comfortable and stable seating. The soft lines and versatile upholstery harmonize with a variety of interiors to create an elegant and luxurious space.

Penelope Chair

Armchair designed by Charles Pollock in 1982. The steel frame connects from the back, through the arms, and from the rear legs to the front legs, and tilts backward around the front of the seat, where the frame is fixed, to provide a comfortable seating position. The metal mesh shell is highly translucent and breathable, and the shading accentuates the beauty of the form.

Ulm Stool

This stool was originally designed for the students in Ulm School of Design. It is multi functional that one can use the stool not only as a chair but also as a side table, a shelf or a carrying case. Ulm stool is the symbolic item of Bauhaus’s functionalistic concept.

Ulm Stool with Drawer

This “Ulm Stool”—a style of furniture that symbolizes the Bauhaus philosophy—is a model featuring a drawer. The stool’s simple form, materials, and assembly without nails enable it to be used flexibly within everyday life, making it highly practical.

Ulm Stool Color

This “Ulm Stool”—a style of furniture that symbolizes the Bauhaus philosophy—is a model featuring color. Unlike the regular model, which uses unpainted natural spruce wood, this Ulm Stool is made using scratch-resistant natural birch wood. After the wood is dyed so as to highlight the grain, the stool is finished with a clear coat of urethane.

Ulm Stool Walnut

This “Ulm Stool”—a style of furniture that symbolizes the Bauhaus philosophy—is a model featuring walnut wood. Unlike the regular and colored models, all of the parts of this Ulm Stool are made from walnut materials, creating a luxurious finish that accentuates the beauty of walnut tree texture.

Eiermann Table

This table was designed for Eiermann’s own studio. Being composed of steel frames and the table top just put on, it has minimal and lean style. This is one of Eiermann’s tables for which he gives special attention to every details.

Photo Yosuke Owashi, Styling Masato Kawai, Cooperation FLOS Japan, YellowKorner Japan

Eiermann Table 2

This table is a redesign of the Eiermann Table. Compared to the original design, the inner width of the frame is 220mm wider. The dining table for sitting side by side or facing one another.

Skyflyer

This pendant lamp combines two round acrylic shades at the top and bottom of the lamp. The soft light passing through the opaque acrylic creates smooth lines and a feeling of floating.

Modern Art

A featured piece by Yki Nummi dubbed “Modern Art” after being included in MoMA. A simple design that combines both transparent and opaque acrylic parts, when lit opaque shade appears as though it is floating in the air.

Photo Masatoshi Takahashi, Styling Yumi Nakata

Ihanne

The name of this pendant lamp means “ideal” in Finnish. It is composed of a smooth-lined, aluminum shade and an acrylic cover over the light bulb. The white coating on the inside of the lamp shade evenly spreads the soft light. This superb article, representative of northern Europe, combines functionality and good design.

Sipuli, Bulbo

One of Lisa Johansson-Pape’s best-known works, famous for its organic form, this hand-blown glass shade emits a soft, gentle light. Sipuli received the first prize at Triennale di Milano in 1954.

G25 Wall Lamp

This wall lamp was designed in 1951 by representative French designer Pierre Guariche. The metal reflective plate diffuses light, producing an appropriate light quality. The length of the arm is adjustable.

G21 Floor Lamp

This floor lamp features a metal shade that directs the flow of light, protecting the eyes from the light source. The length of the stand can be adjusted to the optimal lamp height for the user.

G24 Table Lamp

This table lamp was designed in 1953 by Pierre Guariche, one of France’s leading designers. It features a sculptural design with a circular reflector and tubular shade balanced on brass posts. The light is diffused by a metal reflector to achieve the right quality of light.

G3 Wall Lamp, G3 Triple Wall Lamp

The lamp’s metal reflective plate diffuses light, producing an appropriate light quality. Multiple lamps can be arranged in combination on a wall as decoration.

G60 Table Lamp

This table lamp comprises a milky white acrylic cover and steel side panels. Soft light emanates through the milky white acrylic cover.

G61 Table Lamp

This table lamp comprises a perforated steel plate covering milky white acrylic and milky white acrylic side panels. The design is accented by the beams of light escaping through the holes in the steel plate.

TAPIO

TAPIO is a cutlery series designed byTapio Wirkkala in 1957 and named after himself. The cutlery series, characterized by simple and beautiful streamlined lines, symbolizes Wirkkala’s design philosophy of harmonizing function, materials, and aesthetic expression, and continues to be regarded as a masterpiece that does not feel old, even 60 years later.

Paper Knife

This paper knife was designed by Finnish masterTapio Wirkkala in 1970. The V-shaped shape of the knife, which stands on its own with the center as a fulcrum, fits comfortably in the hand and shines not only as a paper knife but also as an object of art. The palm-sized tool he designed symbolizes his design philosophy of harmonizing function, materials, and aesthetic expression.

Tricorne tray

The tray was designed by British designer Robin Day in 1955. The distinctive triangular shape was inspired by the ‘Tricorne’ hat, which was popular in the 18th century. The shape of the raised rim, which protects against wind, rain and sun, is incorporated into this simple yet modern tray. The item fully demonstrates Robin’s ability to bring a unique personality to functional design.

Series E chair

This injection-moulded polypropylene stacking chair was designed by Robin Day. Originally it was designed ergonomically as a classroom chair, it offers a durable and safe. The chair is cost effective seating solution, but not cheap look, and is still loved all over the world more than 50 years after its design.

Spindle Rug

This hand-knotted rug was designed by British textile designer Eleanor Pritchard. It features a bold pattern of thick and thin blocks with thin line accents in the centre. The pattern was inspired by architectural detailing and the straight lines of thread on a drop spindle, a thread twining tool.

Purlin Rug

Designed by Eleanor Pritchards and it is handwoven the Purlin Rug. It features intricate graphic patterns inspired by Londons architectural skyline and draws its name from vernacular architectural roofing structures. The Purlin design is a pattern of long narrow bars alternating square blocks arranged in a half-drop repeat pattern resulting in a clean linear design with pared-back feel. With a colour palette based on warm and dark greys, the Eleanor Pritchard rug collection beautifully encapsulates the metropolitan aesthetic of London.

Blitz

This table lamp was designed by Italian designer Francesco Trabucco in 1969. The lamp was named ‘BLITZ’, meaning lightning, because its shape, composed of folded surfaces, looks like a lightning bolt. The original idea came from a table lamp he made as a student from a small amount of scrap metal that had been discarded in a metalworking factory, and the lamp is made from a minimum of steel plates, using as little waste as possible, and only cutting and bending. It comes with a magnet in the shape of the lightning bolt that gave Blitz its name.

Bugia

This table lamp was designed by Italian designer Giuseppe Cormio in 1975. The name ‘Bougie’ comes from the Algerian city ‘Bougie’, famous for the quality of its wax. Compact and easy to move, the design is inspired by candle flames and the light sources of nomadic tribes without permanent settlements, as light leaks through a slit in the centre of the round, dome-shaped shade. By changing the angle of the shade, the amount of light can be easily adjusted to suit your needs, and the simple structure has been pursued to create a more effective and beautiful form. Ideal as a bedside lamp.

Wire ChairDiscontinued

This Wire Chair was released in 1958 by Cees Braakman, one of Netherlands’ most famous designers, after being influenced by the work of Charles and Ray Eames. Although the series was once discontinued, the production re-commenced in 2011 due to a call of re-evaluation for it.

Wire High Stool, Wire Low StoolDiscontinued

This Stool was released from the Wire Chair Series in 1958 by Cees Braakman, one of Netherlands’ most famous designers, after being influenced by the work of Charles and Ray Eames. It is characterized by a seat, which is composed of rippled circles and straight lines.

Densen Blanket, CushionDiscontinued

This blanket was designed by British textile designer Eleanor Pritchard specifically for METROCS. The “Densen” blanket was inspired by Japanese power lines and is characterized by a pattern of randomly appearing vertical lines and repeated horizontal lines.

PistillinoDiscontinued

Pistillino means “pistil” in Italian and the word is now synonymous with this small classic lamp design. Multiple stems with rounded tips extend from a single shade, and the radial light creates a fantastical atmosphere.